Where the Nativity sings, the Passion Façade withholds. Large planes, sharp angles, and long shadows speak of betrayal and sacrifice.
Concept and Composition
- The geometry is austere: deep shadows, hard edges, few distractions.
- Scenes unfold like a graphic novel across tiers.
- The Last Supper — compressed, tense, almost silent.
- Peter’s Denial — note the rooster.
- Ecce Homo — Pilate presents Christ.
- The Crucifixion — reduced to essentials.
- The Entombment — quiet finality.
The Magic Square (33)
- A 4×4 grid whose rows, columns, and diagonals sum to 33 — Christ’s age.
- Variations encode order within suffering.
Subirachs’s Language
- Angular bodies, empty eyes, chiseled text.
- Initially controversial; now read as a theological counterweight to Gaudí’s lush Nativity.
Tips for Reading and Shooting
- Best light: late afternoon (west).
- Let shadows define the figures; avoid harsh flash.
- A mid‑telephoto isolates the Stations without losing context.